THIRTY-SEVEN CENTS
Vol. 8  No. 6    An Online Chapter of Missouri State Poetry Society    June  2009

                                                                                                                                                                                                                  @ Free Foto.com

NOT LEAVES OF GRASS, BUT LEAVES OF LEAVES

Walt Whitman (1819-1892), our poet of the month, called the body of his work Leaves of Grass. Obviously Whitman was punning on the word leaves to get the meaning "pages of poems" as well as "blades of grass."  Throughout his life, Whitman collected his works six or seven times to capture his experiences, calling each expanded collection the same title, Leaves of Grass.  Brief volumes like Drum-Taps, his Civil War poems, might be published on their own, but eventually they were published as part of a later edition of Leaves of Grass.  Although Whitman published his first editions himself, and although many of the poems were very private in subject matter, his work attracted much attention, and today like Emily Dickinson, he is considered one of the most important American poets of the nineteenth century.  It is amazing where his work shows up.  My neighbor has a bracelet that is engraved with one of his shortest poems, the couplet "The Untold Want."  Here is the complete poem:  "The untold want by life and land ne'er granted, / Now voyager sail thou forth to seek and find."  From short poems like this one to huge poems of 1300 and more lines like "Song of Myself" in some editions, Whitman lived his life apart from, yet very much deeply involved with, his art.  His leaves [poems] challenge us to capture our own experiences, little seemingly insignificant ones as well as long deeply tumultuous ones.  

 

CONTENTS:

Past
Issue 
       
Poems by Members
         
Workshop

Missouri State Poetry Society


 

Summer Contest

Spare Mule Online

National Federation of State Poetry Societies

Strophes Online
 

 
 

HAVE YOU VISITED THE WORKSHOP LATELY?
Click Workshop and do some of the lessons there.
If you have an idea for a new lesson, send it along. 

HAVE YOU READ YOUR ONLINE NEWSLETTERS?
Read 
Spare Mule Online and Strophes Online available by clicking the underlined titles.

HAVE YOU ENTERED A MSPS CONTEST RECENTLY?
Our state president is encouraging us to enter the MSPS
Summer Contest

HAVE YOU SEEN THE BULLETIN BOARD LATELY? 
Visit our MSPS Bulletin Board for news of events and contests in our area.


POET OF THE MONTH: WALT WHITMAN

For a brief bio and several of his poems. go to http://www.poets.org/poet.php/prmPID/126

At this address you can hear Whitman read one of his short poems "America."

For a comprehensive archive of Whitman's work, go to http://whitmanarchive.org/published/LG/index.html

For an encyclopedia article on Whitman, go to http://en.wikipedia.org/wiki/Walt_Whitman#Leaves_of_Grass

 

 


AMERICAN LIFE IN POETRY


Ted Kooser, former U. S. Poet Laureate, in response to an interviewer for National Public Radio, stated that his "project" as laureate was to establish a weekly column featuring contemporary American poems supported by The Poetry Foundation, The Library of Congress, and the Department of English at the University of Nebraska.  This column appears in online publications (such as Thirty-Seven Cents) as well as hard-copy newspapers.  Poets are asked to contact their local newspapers to inform them that such a column is available free to them and to relieve the editor by explaining that all of the poems that will appear week by week are accessible, not obscure, poems. 

American Life in Poetry: Column 214
BY TED KOOSER, U.S. POET LAUREATE
2004-2006

Sometimes I wonder at my wife's forbearance. She's heard me tell the same stories dozens of times, and she still politely laughs when she should. Here's a poem by Susan Browne, of California, that treats an oft-told story with great tenderness.

On Our Eleventh Anniversary

You're telling that story again about your childhood,
when you were five years old and rode your blue bicycle

from Copenhagen to Espergaerde, and it was night
and snowing by the time you arrived,

and your grandparents were so relieved to see you,
because all day no one knew where you were,

you had vanished. We sit at our patio table under a faded green
umbrella, drinking wine in California's blue autumn,

red stars of roses along the fence, trellising over the roof
of our ramshackle garage. Too soon the wine glasses will be empty,

our stories told, the house covered with pine needles the wind
has shaken from the trees. Other people will live here.

We will vanish like children who traveled far in the dark,
stars of snow in their hair, riding to enchanted Espergaerde.


American Life in Poetry: Column 216
BY TED KOOSER, U.S. POET LAUREATE
2004-2006

Judy Loest lives in Knoxville and, like many fine Appalachian writers, her poems have a welcoming conversational style, rooted in that region's storytelling tradition. How gracefully she sweeps us into the landscape and the scene!

Faith

Leaves drift from the cemetery oaks onto late grass,
Sun-singed, smelling like straw, the insides of old barns.
The stone angel's prayer is uninterrupted by the sleeping
Vagrant at her feet, the lone squirrel, furtive amid the litter.

Someone once said my great-grandmother, on the day she died,
rose from her bed where she had lain, paralyzed and mute
For two years following a stroke, and dressed herself--the good
Sunday dress of black crepe, cotton stockings, sensible, lace-up shoes.

I imagine her coiling her long white braid in the silent house,
Lying back down on top of the quilt and folding her hands,
Satisfied. I imagine her born-again daughters, brought up
In that tent-revival religion, called in from kitchens and fields
To stand dismayed by her bed like the sisters of Lazarus,
Waiting for her to breathe, to rise again and tell them what to do.

Here, no cross escapes the erosion of age, no voice breaks
The silence; the only certainty in the crow's flight
Or the sun's measured descent is the coming of winter.
Even the angel's outstretched arms offer only a formulated
Grace, her blind blessings as indiscriminate as acorns,
Falling on each of us, the departed and the leaving.
 

American Life in Poetry: Column 215
BY TED KOOSER, U.S. POET LAUREATE
2004-2006


To commemorate Mother's Day, here's a lovely poem by David Wojahn of Virginia, remembering his mother after forty years.

Walking to School, 1964

Blurring the window, the snowflakes' numb white lanterns.
She's brewed her coffee, in the bathroom sprays cologne
And sets her lipstick upright on the sink.
The door ajar, I glimpse the yellow slip,

The rose-colored birthmark on her shoulder.
Then she's dressed--the pillbox hat and ersatz fur,
And I'm dressed too, mummified in stocking cap
And scarves, and I walk her to the bus stop

Where she'll leave me for my own walk to school,
Where she'll board the bus that zigzags to St. Paul
As I watch her at the window, the paperback

Romance already open on her lap,
The bus laboring off into snow, her good-bye kiss
Still startling my cheek with lipstick trace.


American Life in Poetry: Column 217
BY TED KOOSER, U.S. POET LAUREATE
2004-2006

American literature is rich with poems about the passage of time, and the inevitability of change, and how these affect us. Here is a poem by Kevin Griffith, who lives in Ohio, in which the years accelerate by their passing.

Spinning

I hold my two-year-old son
under his arms and start to twirl.
His feet sway away from me
and the day becomes a blur.
Everything I own is flying into space:
yard toys, sandbox, tools,
garage and house,
and, finally, the years of my life.

When we stop, my son is a grown man,
and I am very old. We stagger
back into each other's arms
one last time, two lost friends
heavy with drink,
remembering the good old days.




 

-----------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------

POEMS BY MEMBERS

NO ROOM FOR ROSES
Freeda Baker Nichols

The flowerbed
is waiting there for me
to dig and rearrange and spread
its contents gently ‘round the apple tree.
But I must wait
until the rain dries up
and when it does, a likely fate—
the place provides a bed for Beagle pup.
And so no flower grows
beside the puppy’s nose.


IT'S NOT AN EASY CHAIR
Tania Gray

To reupholster Grandma’s rocking chair
seemed simple: take some off and put some on.
But I, whom simple doesn’t satisfy,
went deep beneath two people’s lives, removed
the layers down to springs and wooden frame.
It’s hard to learn the naked truth, and worse,
to reconstruct a chair that’s wholly me.
The first thing I ripped off was plastic. Clear
and shiny, mandated at Mom’s last place
she lived.  They wanted sterile surfaces.
I hated it.  Under the vinyl was
a flowered fabric Sis put on for her,
with tons of extra padding someone felt
was needed.  Years before, when Grandmother
gave up this chair and all identity,
my mother had it done in velvet, blue
as royalty would have, to sit in style
in her piano room.  Would you believe,
when I was seventeen I spent some time
with Grandmother and saw the chair when new.
Oh happy nineteen-sixty!  TV shows
and TV dinners, followed by the tales
of Grandma’s family.  Her rocking chair
was navy, sprigged with sprays of daisies, bright
and cheery oranges and yellows. I
sat next to her as we poured over tomes
of pictures, relatives heroic, smart
with elevated destinies.
                                                 It’s time
to grapple with far more than button twine
and batting.  Now the matriarchs will speak:
if I sit down in their dear rocking chair,
will I insist we turn to Lawrence Welk,
will I believe appearances are all,
or will I have a more determined spine?
 

WOOD THRUSH SINGING
Gwendolyn Eisenmann

May, green in the woods
under trees too tall to see tops,
sun shafts, soft breeze,
Wood thrush singing.

Down in the pond on a rock
suns a black snake
coiled, head up, knows I'm here
and a pair of resident ducks float near.

There on shore in shade someone
ringed with rocks two Lady slippers
in bloom, alone,
no grass to shelter or hide.

Flowers, ducks, snake,
life--from where?
Sun, rain, earth, color,
day, night, stars, time.


HAIKU/SENRYU
Pat Laster

a hug
to last us all summer
final day of school

among
sawmill machinery
blackeyed Susans

flag moving slightly
but the windchimes are mute
a cardinal's 'chit'

older gal . . . (her shirt:
"Under the Influence of Christ")
. . .exits the wine store

cows in the pond
up to their bellies
one-hundred degrees

a squash blossom
on the volunteer vine
near the compost bin
 

TANTUM ERGO
Laurence W. Thomas

We create our oceans
delicately selecting
our blend of hues and textures
to suit our moods
our needs leading us to choose
what depths, what shallows
what paths to navigate
what harbors we will use.

We build our ships
carefully incorporating
our keels of comfort
and holds to accommodate our longings
topsides decked and trim
enshrouded in mystery and confidence
that our vessels buoy us up
shipshape stern to stem.


KILLING THE VILLAIN "L"
Cindy Tebo
 

Quite a villain the villain “L” has become!
I’m tied to the tracks without much time.
The train’s due and the poem’s not done.

Dudley was so sure I could save this one,
so Snidely wouldn’t have any lines.
Quite a villain the villain “L” has become!

The rules alone should have made me run,
instead I’ve been roped into more bad rhymes.
The train’s due and the poem’s not done.

What inspiration can lift me from
these iron tracks of repeated crimes?
Quite a villain the villain “L” has become!
                                                                                             Some misguided muse thought this would be fun--             
one who never lost sleep over dead lines.       
The train’s due and the poem’s not done.

A whistle blows like a screaming nun,
“Hell waits for those who don’t revise.”
Quite a villain the villain “L” has become,
hit by a train but it’s finally done!
 

CREEKSIDE
Dewell H. Byrd

A wild turkey issues a challenge,
struts up and down the red clay bank,
tail awash in evening bronze.
His wattle swings side-to-side
with each proud head toss.

Two young bushy-tails chatter,
hide-and-seek in a red alder tree.
Wild huckleberries grow
on an old redwood stump.
Ferns cloak the ground,
send fawn-colored fiddle necks
in search of light.

Deer tracks cross a trampled trail
where mushrooms grow in a hollow log.
A blue jay screams a raucous warning,
hops atop a huge yellow sign:

Coming Soon
CREEKSIDE ESTATES


AN EPISTLE TO MAN: WHY DARE TO DOUBT?
Henrietta W. Romman

W When the Book of goodness is in your hands
H How can you even say “There is no God around?”
Y Year after year, your eyes behold His lands,

D Dare you not ask our Lord about His Book
A And seek His loving answers with His grace?
R Raise your anxious voice, reach out and knock,
E Each time your heart will see His face,

T Tomorrow is the day that has no sound,
O Or know you not it quietly creeps around?

D Decide this day to let the joy of God abound
O Onto your heart, your life. Come, seek the king!
U Unleash the pending wicked thoughts from you,
B Begin to live the light of God, His way so true
T Till troubles flee, then train your quiet heart to sing.

 

 

 

 

TURNING 50
Jeanetta Chrystie

Turning 50 is a really good thing,
remembering all the joys your days bring.
You’ve laughed and played and shed a few tears,
as everyone does throughout the years.

You’ve enjoyed God’s blessings each day,
and been blessed with a family along the way.
You’ve had some good times, and tough times too,
again that’s something others share with you.

When life knocks you down, you’re back on your feet;
You know there’s new pleasure and people to meet.
There are so many people around you who care,
And hope at your hundredth, we can be there!

You’ve grown into manhood, with a wife and sons;
and such blessings are rarely easily won.
In your first fifty years you’ve done incredible things,
I can’t wait to see what the next fifty brings!
 

DINING  `A LA CARTE
Faye Adams


"Would you like barbeque chicken,
or country steak with gravy?"
"Uh, huh."
"You want both?"
"Uh huh."
Her tablemate drools, bottom lip
hanging. He stares at his menu,
waiting for someone to ask.
An aide rolls a wheel chair to the table
for four. "Stay there!"
Her harsh tone seems inappropriate
for the tiny lady with frizzy curls.
 
"Mom, what would you like for dessert,
butterscotch pudding or chocolate cake?"
"Uh huh."
"You want both?"
"Uh huh."
Leftward movement draws my eye.
Frizzy Curls is on the move.
She's booking out of the dining hall,
fast as her feet can peddle.
 
The trays arrive. I unwrap cutlery,
pour milk, place Mom's bib around her neck.
Her tablemate digs in, unassisted.
Mother stares at her food, picks up
her fork, pokes at her food.
The fourth place at the table
remains empty.

 

A SYMBOL OF FREEDOM
Pat Durmon

The eagle soared overhead.
Wingspan immense.
A windswept moment.
Beak, hooked downward,
eyes sagacious and farseeing—
observing the horizon like a scout
for signs of danger. Ready
to slide down and rip devastation
with razor-sharp talons.

A symbol of freedom,
but not going anywhere:
made of brass and secured
atop a tall building
above hundreds of windows.

I stood beneath the ornamental bird;
behind me, busy traffic.


BERRY BEARD
Harding Stedler

Farmer Braxton trudges
down dusty roads
from June until September
when blackberries ripen
and raspberries hang their red
like Christmas ornaments.

He loves eating berries
from the vine,
ones that stain his beard
a crimson shade.
For years, I thought
he dyed his beard
to conceal the gray
but he relished
the taste of wild.

Folks no longer call him Graybeard;
instead, call him Whiskerberry
with a hint of fondness
in their voice.


w i s h
Dave Gregg

most remark
on how well
I'm adjusting
as if I were missing
a nail on my big toe
or misplaced a book
on Middle Earth

what they mean is
they have adjusted
to your disappearance
from my life
that abrupt stage left
they mean the hole
I fill daily no longer

distracts their routine
and I understand
I only wish
you had not left
your absence among
my things


DAY-BY-DAY
Diane Auser Stefan

I rip yesterday
off the calendar,
crumple it up,
and toss it in the trash.

Done, gone, finished—
new page, new sunrise
and I hope
when today
becomes yesterday
I’ll feel better
about the day
than I do
this morning.


BAD DREAMS
Tom Padgett

When I was just a little lad,
I often had such frightening dreams
I woke my parents with my screams
and filled the night with tales of bad,
threatening things with purple heads,
green wings, black eyes, and yellow claws
till they to my demanding cause
succumbed and took me to their bed.

Then later, in my teaching years,
my nightmares stemmed from academe:
I woke my family with my scream
of unsubstantiated fears,
like going blank while in a play
or failing what I’d hope to pass
through being tested in a class
I never had attended, say.

At last I’m in my golden age,
yet gold is not quite what it seems.
I wake my wife from still more dreams--
last night I found myself onstage.
The crowd’s anticipation rose
to hear my long awaited speech
designed to meet the needs of each--
if only I had worn my clothes!
 

VISIT WORKSHOP FOR AN ASSIGNMENT.

Top Workshop Index