THIRTY-SEVEN CENTS
Vol. 8  No. 5    An Online Chapter of Missouri State Poetry Society    May  2009

                                                                                                                                                                                                                  @ Free Foto.com

ENOUGH BLACKBIRDS FOR THREE PIES
 

Long before you knew what a sixpence was or a pocket full of rye, you knew about blackbirds, though to tell the truth, you never ate a blackbird pie.  My point is, you have remembered even a bit of nonsense all your life as a result of someone reading poetry to you from a children's book.  To enjoy the complete blackbird poem including variants of the last stanza (to be politically correct?), go to http://en.wikipedia.org/wiki/Sing_a_Song_of_Sixpence.  Sir Philip Sidney in An Apology for Poetry (1595) called attention to the fact that rhyme and rhythm helped a reader or listener to remember what was said or read.  "Verse knotteth up the Memory," Sidney wrote.  A good example of poetry aiding memory was the reading by Harvey Hix at the first  MSPS convention.  We were amazed and impressed by his ability to recall many poems, long poems, whole poems.  He told us he memorized poems as he drove to work each morning.  Although most of the poems he recited were contemporary free verse, he stressed repetition as the single aid he utilized.  How many poems do you know well enough to recite them?  If you lost your own poems, could you recall any of them?  When the pie was opened the blackbirds began to sing.  Could you come up with a "dainty dish" of your poems to set before the king? -- Tom Padgett
 
GRIST 2009 is the current project of the Missouri State Poetry Society.  As a member of THIRTY-SEVEN CENTS, you are also a member of MSPS.  Therefore, you have one page in the state anthology to fill with your poem or poems.  Each of us should select a poem of 37 or fewer lines for this book, whether or not we plan to purchase a copy.  If you choose, you may send two short poems that total 35 lines [to allow for a second title].  Please email your submission to inafieldofdaisies@hotmail.com immediately.  Dawn Harmon of Cuba, Missouri, is our editor.  Details for purchasing a copy will appear in the next SPARE MULE and in the May issue of THIRTY-SEVEN CENTS.  You may submit poems that have never been published or that have been published but not in GRIST.  Why not send your poem/s in todayBe sure to tell the editor what city you are from, your local chapter [THIRTY-SEVEN CENTS], and your email address.

CONTENTS:

Past
Issue Next
       
Poems by Members
         
Workshop

Missouri State Poetry Society


 

Summer Contest

Spare Mule Online

National Federation of State Poetry Societies

Strophes Online
 

 

POETRY IN THE NEWS:
  For a comment on John Updike's poetry by Clive James, click here.
 

HAVE YOU VISITED THE WORKSHOP LATELY?
Click Workshop and do some of the lessons there.
If you have an idea for a new lesson, send it along. 

HAVE YOU READ YOUR ONLINE NEWSLETTERS?
Read 
Spare Mule Online and Strophes Online available by clicking the underlined titles.

HAVE YOU ENTERED A MSPS CONTEST RECENTLY?
Our state president is encouraging us to enter the MSPS
Summer Contest

HAVE YOU SEEN THE BULLETIN BOARD LATELY? 
Visit our MSPS Bulletin Board for news of events and contests in our area.


POET OF THE MONTH: JOHN UPDIKE [1932-2009]

For an encyclopedia artcle on Updike, visit http://en.wikipedia.org/wiki/John_Updike

For thirteen of his poems, see http://www.poetryfoundation.org/archive/poet.html?id=81868

For more bio and one of his poems, go to
www.poets.org/poet.php/prmPID/660

For a review of his last collection, see  http://www.washingtonpost.com/wp-dyn/content/article/2009/04/22/AR2009042204045.html 

For another review, see http://www.sfgate.com/cgi-bin/article.cgi?f=/c/a/2009/04/10/RV2516T3FD.DTL&type=books

For an evaluation of  Updike's writing career, see http://www.newyorker.com/talk/2009/02/09/090209ta_talk_gopnik

 

 

AMERICAN LIFE IN POETRY

Ted Kooser, former U. S. Poet Laureate, in response to an interviewer for National Public Radio, stated that his "project" as laureate was to establish a weekly column featuring contemporary American poems supported by The Poetry Foundation, The Library of Congress, and the Department of English at the University of Nebraska.  This column appears in online publications (such as Thirty-Seven Cents) as well as hard-copy newspapers.  Poets are asked to contact their local newspapers to inform them that such a column is available free to them and to relieve the editor by explaining that all of the poems that will appear week by week are accessible, not obscure, poems. 

American Life in Poetry: Column 209
BY TED KOOSER, U.S. POET LAUREATE
2004-2006


I've gotten to the age at which I am starting to strain to hear things, but I am glad to have gotten to that age, all the same. Here's a fine poem by Miller Williams of Arkansas that gets inside a person who is losing her hearing.

Going Deaf

No matter how she tilts her head to hear
she sees the irritation in their eyes.
She knows how they can read a small rejection,
a little judgment, in every What did you say?
So now she doesn't say What? or Come again?
She lets the syllables settle, hoping they form
some sort of shape that she might recognize.
When they don't, she smiles with everyone else,
and then whoever was talking turns to her
and says, "Break wooden coffee, don't you know?"
She pulls all she can focus into the face
to know if she ought to nod or shake her head.
In that long space her brain talks to itself.
The person may turn away as an act of mercy,
leaving her there in a room full of understanding
with nothing to cover her, neither sound nor silence.


American Life in Poetry: Column 211
BY TED KOOSER, U.S. POET LAUREATE
2004-2006

Some of you are so accustomed to flying that you no longer sit by the windows. But I'd guess that at one time you gazed down, after dark, and looked at the lights below you with innocent wonder. This poem by Anne Marie Macari of New Jersey perfectly captures the gauziness of those lights as well as the loneliness that often accompanies travel.

From the Plane

It is a soft thing, it has been sifted
from the sieve of space and seems
asleep there under the moths of light.

Cluster of dust and fire, from up here
you are a stranger and I am dropping
through the funnel of air to meet you.

American Life in Poetry: Column 213
BY TED KOOSER, U.S. POET LAUREATE
  2004-2006


Bill Holm, one of the most intelligent and engaging writers of our northern plains, died on February 25th. He will be greatly missed. He and I were of the same generation and we shared the same sense of wonder, amusement, and skepticism about the course of technology. I don't yet own an Earbud, but I won't need to, now that we have Bill's poem.

Earbud

Earbud—a tiny marble sheathed in foam
to wear like an interior earring so you
can enjoy private noises wherever you go,
protected from any sudden silence.
Only check your batteries, then copy
a thousand secret songs and stories
on the tiny pod you carry in your pocket.
You are safe now from other noises made
by other people, other machines, by chance,
noises you have not chosen as your own.
To get your attention, I touch your arm
to show you the tornado or the polar bear.
Sometimes I catch you humming or talking to the air
as if to a shrunken lover waiting in your ear.
 
American Life in Poetry: Column 210
BY TED KOOSER, U.S. POET LAUREATE
2004-2006

My father was the manager of a store in which chairs were strategically placed for those dutiful souls waiting and waiting and waiting and waiting for shoppers. Such patience is the most exhausting work there is, or so it seems at the time. This poem by Joseph O. Legaspi perfectly captures one of those scenes.

At the Bridal Shop

The gowns and dresses hang
like fleece in their glaring
whiteness, sheepskin-softness,
the ruffled matrimonial love in which the brides-
in-waiting dance around, expectantly,
hummingbirds to tulips. I was dragged here:
David's Bridal, off the concrete-gray arterial
highways of a naval town. I sink into the flush
bachelors' couch, along with other men sprinkled
throughout the shop, as my friend and her female compatriots parade
taffeta dresses in monstrous shades of pastels—persimmons,
lilacs, periwinkles—the colors of weddings and religious
holidays. Trains drag on the floor, sleeves drape
like limp, pressed sheets of candied fruits,
ribbons fluttering like pale leaves. I watch
families gathered together: the women, like worshippers,
circling around the smiling brides-to-be, as if they were
the anointed ones. The men, in turn, submerge
deeper into couches, into sleep, while the haloed,
veiled women cannot contain their joy,
they flash their winning smiles, and they are beautiful.

American Life in Poetry: Column 212
BY TED KOOSER, U.S. POET LAUREATE
2004-2006

We've published this column about American life for over four years, and we have finally found a poem about one of the great American pastimes, bowling. "The Big Lebowski" caught bowling on film, and this poem by Regan Huff of Georgia captures it in words.

Occurrence on Washburn Avenue

Alice's first strike gets a pat on the back,
her second a cheer from Betty Woszinski
who's just back from knee surgery. Her third--
"A turkey!" Molly calls out--raises everyone's eyes.
They clap. Teresa looks up from the bar.
At the fourth the girls stop seeing their own pins wobble.
They watch the little X's fill the row on Alice's screen--
That's five. That's six. There's a holy space
around her like a saint come down to bowl
with the Tuesday Ladies in Thorp, Wisconsin.
Teresa runs to get Al, and Fran calls Billy
at the Exxon. The bar crowds with silent men.
No one's cheering. No one's bowling now
except Alice's team, rolling their balls
to advance the screen around to Alice, who's stopped
even her nervous laugh, her face blank and smooth
with concentration. It can't go on
and then it does go on, the white bar
reading "Silver Dollar Chicken" lowering and clearing
nothing, then lowering and clearing nothing again.


 

---------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------

POEMS BY MEMBERS

SPRING
Gwendolyn Eisenmann

Because spring came with rain
making green over old gold
where daffodils lit the way
and our resident mockingbird
had so much to say
from a budded lilac bush

I spent morning time
looking, longing, listening
smelling and smiling
because spring came with rain
making green over old gold
where bird song wrote the world.


GIVE ME SOME SPACE
Tania Gray

(Thanks to USA Today, April 27, 2009)

Before retirement day
be sure to plan for play—
have fun! Don’t think too much
on negatives and such;
decide who you will be.
Rethink your strategy
to reach your goals, and write
a page each day. It’s bright
to actually do the things
your diary says make your heart sing.
Now listen up, my friend:
it’s crucial you don’t spend
all day with loving spouse.
You, hubby: soon a louse;
you, wife: your marriage oath
does not say share meat loaf
at noon. “For better or for worse,
but watch it: not for lunch!”
 

PUSSY, DOWN PUSSY
Lawrence W. Thomas

Awake in the morning, I let my dreams fade.
Pussy, down pussy, get out of my bed.

I ask for my breakfast; I need to be fed.
Pussy, meow pussy, go look for your food.

A mouse in the kitchen might taste quite good.
Pussy, prowl pussy, do your good deed.

I lie in the window, the sun on my head.
Pussy, good pussy, you’ve got it made.

Stalking the garden, I look for a toad.
Pussy, growl pussy, on the edge of the wood.

I frighten a chipmunk until he is treed.
Pussy, brave pussy, you’re never afraid.

I leap in the air for a young katydid.
Pussy, spry pussy, I knew that you could.

I scratch on the sofa until it looks chewed.
Pussy, bad pussy, go hang your head.

After all this, I’m weary indeed.
Pussy, purr pussy, asleep on my bed.


THINK TANK AFTER LUNCH
Dewell H. Byrd

back to the meeting
circle up
reports
technical papers
room warm
windows open
ceiling fan drones
swish swish
mind half-speed
I doze

across the circle
her long legs cross
right foot dangles
toe taps
syncopated to fan
swish-tap swish-tap
eyes connect
eyebrows raise
head tilts
faint smile

I’m wide awake


BETWEEN LIGHT AND SHADOW

Pat Durmon

A doe hovers
between light and shadow. . .
a man blinks
to make her appear
then again to disappear.

Like a drum,
the hunter’s blood-song
pounds in his ears.

Then the doe moves fully
into the light. She turns
and seems to look
right into the man’s eyes.
Her ears prick,
and her nose samples the air.
Without a sound,
she lowers her head
to pick at tender shoots
in the shadow of a pine
near the edge of a rice field.

And—
the man lowers his gun
to watch the music.



A FLOWER FOR HIS KINGDOM
Jennifer Smith

In memory of Earl Ray Stephenson, 1921-2009
and Ray Marshall Wells, 1915-2009.
Two flowers picked in April 2009


A life is like a flower grown,
  if lived for God it’s not a tare.
It’s beauty shows as it blooms for Him--
  a flower for His Kingdom.

The Master Gardner tends the soil,
   prunes the rose and pulls the weeds
Lovingly He coaxes each plant to bloom–
   a flower for His Kingdom.

Rains will fall and winds will blow.
   Trials come to ev’ry garden.
After the storm, the bloom’s more fair–
   in a flower for His Kingdom.

Our life is meant to bloom for Him,
   displaying all His glory.
Our fragrance attracts others to Him–
   we’re a flower for His Kingdom.

Then one day at the end of our life,
   God smiles down at us and sees
His glory shining in our flower face–
   He picks His flower for His Kingdom.

May I bloom forever, Lord,
   in the garden of your grace.
With all the saints from every age–
   a flower for Your Kingdom.

ANY NAMES COME TO MIND?
Harding Stedler

Even roaches enjoy the Arts
and, unencumbered,
inspect the galleries daily.      
When I arrive to volunteer
there is always one to greet me
as though it were an official host.

Each one receives a free ride
in a morning dust pan
when Thursdays roll around.                                   
I deposit it outdoors                                   
to meet the heat of day
where birds may peck away
its wings and thrash it
in high weeds.

Today, I have changed my thinking,
 however.  I am thinking about                                   
starting a roach collection,
pinning each one to corkboard
displaying it under glass,
then giving it a name.

 

 

 

 



PAINTED CORN
Martha Thomas

I drive, drive, drive
through fields of corn, beans,
cattle, and hay.
Flat plains flourishing
by the sweat of men.

Men of pride
Labor from sunrise to moonglow.
Rough hands replace a fence post,
deliver a calf, steer
the Case International.

I am grateful,
driving through the brushstrokes
of Iowa men.


the wall
Dave Gregg

there is a wall
in a meadow
in a field
far away

it serves no purpose

crudely stood
of rock and stone
it divides no land
marks no spot
assembled by time
and hands unknown

a forgotten wall
in a meadow
in a field
far away

it serves no purpose

MAY YOU ALWAYS
(by Larry Markes and Dick Charles,
parody by Pat Laster)

May's the month we laud our mothers,
though we love them all the time.
Give them flowers, gifts or candy,
let them know with us they're prime.

May is always graduation;
school is over for a while.
Any student you encounter
may have on a happy smile.

May, you always bring the roses
--yellow, red and white.
The privet, honeysuckle, pollen--
allergies both day and night.

And May, you're always such a beauty--
gentle showers, morning dew.
Till the year rolls round again,
we'll say goodbye to you.


ADDRESS TO THE PRINCE
Heather Lewis

Risky,
to place your whole future
on the hope that the shoe will fit one girl only.
Foolish,
to believe that this slipper’s size is unique,
since Betsy and I have the same size feet,
and you stop at her house before mine.
Seems
you would be able to recognize
the girl you danced, talked,
and laughed with all night.

Of course,
I have the other shoe.
And I could step forward and prove
that I am the girl you fell for.
But if you aren’t willing to take
a real risk, and find me on your own—
if you really place all the weight
on this shoe fitting
and nothing else—
I shouldn’t want you anymore.
 

BUCK SENSE
Faye Adams

Postage rates were rising;
we didn't mind one bit.
We used a bit of buck sense,
and slid right in the groove.

We bought lots of forever
stamps and didn't take the hit;
poor Uncle Sam went wanting
when push came to shove.
 

SPRING BREAK
Annika Bergen

As ants evict a flooded hill
Or termites flee a drowning home,
So students from their classrooms spill

Into the sunshine, free to roam.
Their engines rev, their tires burn—
A race to wave-licked sand and foam,

To salty air a youth’s lungs yearn.
 

BERRY SHOCKING
Diane Auser Stefan

Blueberries in my cereal
provide antioxidants, it’s true,
but the downside is that shocking sight
when they turn the milk all blue.
 

LIVES LIFE LIVES
Tom Padgett

We have heard that cats and spies
lead multiple lives, creature-wise.
The tomcat on the backyard fence
enjoys a special providence:
despite bad luck he will survive
eight times or more to stay alive.
And secret agents do or die
for or against the FBI,
like Herbert Philbrick, who led three
private lives on our TV.

And then there is Life magazine
that's also lived three lives--first seen
in 1883 and cited soon
for commentary and cartoons.
In 1936, its name
sold Henry Luce and became
photo journalism’s best.
For forty years it led the rest.
A newspaper supplement
was its third embodiment.

Today, of course, Life's still around;
avid collectors can be found
on Google, where you for a price--
if the issue is “mint” nice--
will get your nostalgia’s worth,
and Life will have another birth.
My youngest daughter bought for me
a special issue.  For its fee
she brought December 25,
1964, alive.

 

VISIT WORKSHOP FOR AN ASSIGNMENT.
 

Top Workshop Index